
Trevor Bača was born outside Los Angeles in 1975. His concerns as a composer include lost and secret texts; broken and dismembered systems; sorcery, divination and magic; and the effects, action and beauty of light. Bača's music has been played in the US, Europe and Japan, with recent performances in New York, Berlin, Tokyo and elsewhere. Works include Aracılık (2010) for percussion trio; Mon Seul Désir (2009) for flute, clarinet, violin and cello; Lidércfény (2008) for flute, violin and piano; a cycle of works for unaccompanied flute, including Sekka (2007), dedicated to Reiko Manabe, and Čáry (2006), dedicated to Carin Levine; and Poème récursif (2005) for 64 pieces of percussion. Bača's music has been anthologized as part of Notations 21, edited by Theresa Sauer, and Bača's scores have been exhibited as art at the Chelsea Gallery in New York City and at the Hutchins Gallery on Long Island. Recent publications include an analysis of electroacoustic music by composer Steven Kazuo Takasugi in the Search Journal of New Music and Culture. Recent lecture engagements at the University of California at San Diego; University College Cork in Ireland; the Institut de Recherche et Coordination Acoustique / Musique (IRCAM) in Paris; and the Stuttgart Musikhochschule. Bača is the first-place recipient of the 2008 Ježek Prize in Composition. In August 2009 Bača completed a two-week residency at Schloss Solitude in Stuttgart with performances by Ensemble SurPlus. Bača is now a PhD student at Harvard University studying with Hans Tutschku and Chaya Czernowin.

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Monday, December 13, 2010
12pm - 2pm
NEC Pierce Hall
241 St. Botolph Street
Boston, MA 02115
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